charles@cmmstudio.com

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So far charles@cmmstudio.com has created 210 blog entries.

You Never Know What You Are Filming (film review)

Art, Mentorship, and States of Siege By: Kristi M. Wilson (full story - click here) Miguel Ángel Vidaurre Marker ’72: Cartography of a Faceless Filmmaker. Chile, 2012. Marker ’72: Cartography of a Faceless Filmmaker, produced by Factoría Espectra, is an essay-style documentary about the groundbreaking French filmmaker Chris Marker’s encounter with Salvador Allende’s Chile in 1972, his subse-quent mentorship of Chilean director Patricio Guzmán (The Battle of Chile), and his impact on the Chilean film community after the military coup of 1973. A legendary recluse and the director of enigmatic film classics such as La Jetée (1962), A Grin Without a Cat (1977), Sans Soleil (1983), and AK (1985), Marker arrived in Chile as part of the production team for the filming of Costa-Gavras’s political thriller State of Siege. According to Guzmán, in spite of the fact that State of Siege turned out to be one of the largest film productions in Chilean his-tory, Marker had not come to film anything with Costa-Gavras; “he just wanted to see Chile.” Allende’s victory brought well-known people from around the world to Chile. As the documentary filmmaker and director of the Chilean School of Cinema Carlos Flores jokingly suggests in the film, Chile [...]

Children of the Diaspora: For Peace and Democracy (featured film)

Children of the Diaspora: For Peace and Democracy (2013), a film directed by Jennifer Cárcamo and produced with the support of the Centro de la Memoria Histórica Salvadoreña, documents the journey of a group of university students from California to El Salvador, the homeland of their parents and for some of them their own birthplace. The students are members of the Unión Salvadoreña de Estudiantes Universitarios, a transnational organization committed to political consciousness-raising among Salvadoran youth. The film documents the group’s trip to El Salvador as part of a delegation invited to observe the 2009 presidential campaign. This election, in which Mauricio Funes won the presidency, would turn out to be historical because, for the first time, a member of the Frente Farabundo Martí para la Liberación Nacional won the office. The opening sequence of the film, set to Silvio Rodriguez’s “Sueño con Serpientes,” makes the goals of Cárcamo’s project clear: to gather the evolving perspectives of this group of young students (from schools such as the University of California and the California State University system) as they confront the troubled narratives and, in some cases, the historical lacunae passed down from their parents. In their testimonies, many of the students describe the climate of fear in which they grew up, especially around the topic [...]

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