Reinventing the Lefts in Latin America
Homo artis, Homo laborans, and Homo politicus – The Pursuit of Redemption in Three Recent Argentine Films (film review)
By: Tomás Crowder-Taraborrelli
One cannot be short of themes while there is still plenty of reality. Any hour of the day, any place, any person, is a subject for narrative if the narrator is capable of observing and illuminating all these collective elements by exploring their interior value.
Armando Bo’s feature film debut The Last Elvis (El […]