Monthly Archives: January 2013

Latin American Dreaming (film review)

By: Kristi M. Wilson and Tomás Crowder-Taraborrelli Paraíso for Sale, directed by Anayansi Prado (also the director of Maid in America, 2005, and Children in No Man’s Land, 2008), treats the topic of Canadian and American retirees’ looking to stretch their dollars, buy second homes, and unwind in the sun by relocating (often permanently) to the Caribbean. It presents ample evidence of the looting of prime real estate in the Caribbean, where international corporations disembark with billions of dollars, pressure the locals to sell their land, and entice politicians not to enforce the law or, worse, to break it. The film’s voice-over narration suggests that this residential tourism invasion is an extension of earlier incursions from the North: “The U.S. has invaded Panama before with its armies. This invasion comes armed with golf clubs and dreams of an idyllic American retirement.” The few courageous locals who, for moral or practical reasons, resist the temptation to sell their land find themselves entangled in endless litigation with corporations and their teams of lawyers. Paraiso for Sale highlights Bocas del Toro, a string of islands that, before foreigners arrived to develop resorts and displace native populations, was once a small, quiet province of Panama. The film’s real-life drama centers on the following principal characters: Dario Vanhorne, an Afro-Panamanian tour [...]

Corazón de fábrica Heart of the Factory (featured film)

Despite the widespread perception of a turnaround in the Argentine economy in recent years and the institutionalization of popular movements, an ongoing workers’ struggle to lift local factories out of bankruptcy continues to inspire sectors of the Argentine population. Virna Molina and Ernesto Ardito’s Corazón de fábrica (Heart of the Factory, 2008) is not only a revealing account of workers’ reactions to the economic meltdown of 2001 but a multifaceted meditation on the political principles involved in the reorganization of a ceramic factory in the southern province of Neuquén. Corazón de fábrica attests to the pernicious impact that neoliberal policies have had on Argentine families, affecting every aspect of their lives: education, health, transportation, and, primarily, employment. The film centers on a popular uprising of workers at the privately owned Zanón ceramic tile factory who resisted eviction when the factory closed its doors in the midst of the economic crisis. The workers appropriated the factory, created a cooperative, and renamed the company Fábrica sin Patrones (Factory without Bosses—FASINPAT). The long opening sequence, which features a group of schoolchildren observing the process of production, serves as an allegory for the mixing of earth and labor to create goods for the community. It is a rousing sequence, full of hope for the workers’ aspirations of rebuilding the country’s [...]

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